Simulacrum

SIMULACRUM

If a picture acquires movement, does it stop being a picture? What if you wanted to reveal the space which is out of frame? Where does one draw the line between picture and film.

If the perception of time can be altered through changes in velocity, then how does velocity in film differ from velocity in theater? In Simulacrum, slow and fast, fast forward and rewind become two completely different concepts in theater, photography and film.